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Book Trailers By Another Name?

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Our Recent Book Trailers

Videos We’ve Made

Shiney Happy Customers

Don’t just take our word for it!

I was thoroughly impressed with the caliber of the work done by Jeremy and PixelTwister Studios! Every deadline was met, expectations were exceeded, and interactions were friendly and professional I recommend PixelTwister without reservation!
Jen Blood, author of Erin Solomon Series
I wasn’t going to do a book trailer for my latest novel, until I saw PixelTwister’s prior work. I was blown away by their style and their focus on using words to promote books. I was absolutely delighted with the book trailer they designed for me, so much so that I had goosebumps watching it for the first time. Who am I kidding, I’ve seen it over a dozen times and I still get goosebumps! I will definitely be asking them to design the book trailer for my next novel.
Clare Davidson, author of The Hidden Series
All you have to do is watch the book trailer PixelTwister made for me to know how thrilled I am with their work. You can’t help but smile and even giggle at all of the fun things they added. They went above and beyond my already elevated expectations. Working with them was a breeze, and they made it all painless, too. I can’t recommend them highly enough. If five stars is a perfect rating, I give them a thousand. Standing ovation.
T. Sue VerSteeg, author of My Ex-Boyfriend's Wedding
When I first saw my words come to life in the trailer, I got chills. Not figurative chills, literal chills. I can’t recommend PixelTwister Studio enough. Ellen and Jeremy are ideal collaborative partners–they’ll listen to your ideas, then use their own intuition and artistry to make the world you’ve created not only richer, but instantly accessible to readers in a tangible way. PixelTwister represents everything I love about the indie publishing front; passionate people doing professional work on their own terms.
James Schannep, author of MURDERED
The team at PixelTwister Studio didn’t just crank out a trailer for my first book. Instead, they dove into “my baby” with both feet, reading the manuscript and collaborating with me on everything from the precise shade of the hero’s hazel eyes to the type of music I’d want playing in the background when it’s made into a movie. What they did was create two minutes of magic.


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